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| August 2001 / Volume Two / Issue Two | |||||||||
| Larry Griffin | |||||||||
| Arbitrary Alabama -May. Gulfshores. Sand. Sun. Sea. A few purposeful porpoises circle us as we swim the salty sea. Your breasts bulge from your new bikini, and I lounge later on the beach, one eye always open, as I admire again the beauty of your body. I grow hard knowing I will know it each and every night, intimately. Our sex together shows a quality and depth of performance and achievement rather than mere length of time spent in a condo at the beach. . . . A crowd in a wreck of building, the bar straddles the state line, takes the elision of its name from both states. Laura, restless, holds me close, and we dance into the depths of the drunken crowd where all I want is her who's close in my arms. Having lost nature, we invent culture . . . EACH EVENT! The surface of each we slide in time and in space inside each other for perfect fits, like a matrushka stacks each doll inside the moment of its memory. Will it all come back to me? I capture in these few images then present, now lost, in which my soul first opened . . . She's more beautiful than you remember Pulling her out of your memory you guide her into the myth music has made in fashion What lengths you went to in loving her then in the bright sun you could see and in the dark sun you could not see You drive together south on 51 to Millington . . . At the art show you introduce her to your friends; proud of the kindness she gives you in her praise of your paintings, you cannot wait to show her how much. Arbitrary Alabama continued Before noon you have her alone in a nearby Mexican restaurant- "Have you ever dived off the Turks and Caicos Islands?" . . . Her answer; my . . . memory, hardly now so firm, so that I shake my head. Should I have shaken my fist? Such is the power of pleasure . . . How it hooks the soul into the pain of the body! Later, out for an evening piano recital, I hold her hand while we sit on folding chairs-the musician, only eleven, is a prodigy-and afterward we take up the same rhythm of the last piece he played as we make a piece ourselves from each other: The next week while I'm in England, I desire the bed of no woman I meet there- I only depart from each smiling- "But who is the best lay?" In Deddington or Stow-in-the-Wold, I tease the woman with me about sex with her; I know she wants me, but I want only Laura, long only to return home as soon as possible and have only her. | |||||||||
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