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| May 2004 / Volume Five / Issue Two | ||||||||
| Tom O'Connell | ||||||||
| Death Proves Genius At the bus stop, everyone is talking about the latest celebrity suicide. The jokes are already circulating. His teeth, some guy says. Har, har, har. That’s disgusting, says a woman wearing a blue wool suit and cross-trainers. They all know the story, they know the story well. Someone will toss out a fact and everyone will nod. Agree. I heard that too, they add. They discuss each role he played. Each character is suddenly telling. His dark roles; you could sense his pain. Couldn’t you? His light roles; didn’t he hide his anguish well? Didn’t he? His low-grade, rent paying embarrassments; such talent wasted. Don’t die skinny and bald, the AIDS rumors will fill the newspapers tomorrow. I got an uncle in an old folk’s home in Danvers who’s skinny and bald. Do you think he’s got AIDS? The papers are horrible, they shouldn’t print that crap. Did you see his widow? They were separated. The movies will all be on the television now. It’s like when a rock star dies, for the next month you’re forced to listen to his dismal music. Why can’t a singer I like die for a change? How did he get so low? The films. The press release photographs in all the newspapers. The talk at the bus stops. What would make a person do a thing like that? What was going through his mind? |
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