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| March 2005 / Volume VI / Issue II | |||||||||||
| Andrew Aulino | |||||||||||
| An Interruption It follows a standard trajectory, I assume. First there are the years of struggle, living in squalor and scribbling brilliant stuff on scraps by the light of one brownish bulb. Nights, you take drugs in a studio apartment with you bohemian friends. Next comes the time in Europe, with more squalor and brilliance, interrupted by gulps of Great Art and brief affairs with girls who don’t speak your language. Then there is the first squeak of respectability, the short pieces in respectable magazines. Finally, there is Eminence, with lecture tours and professorial appointments. Then, you live in some lush place, like the Pacific Northwest or California Wine Country, writing serene eclogues about buddhism and sushi and kissing and other refined, old- man pleasures. The long view. I’ve got it down. But first there comes the phone call. I stand in socks in the apartment at ten o clock in the morning with the heat not on yet. The receiver is chill, my brows are furrowed and she is telling me that something is bad, very bad. And I say, well what, what did you did, tell me. But she won’t tell me. I say, look, it can’t be so terrible. What’s the problem. But she won’t tell me, she just whimpers into the phone, and it’s like we’re in a dark room, I can see her but not hear her. I say what is it, is it money? Is it legal? Are you having and affair. But she just squeals and whimpers and after ten minutes of going back and forth like this, she tells me I have to come over. So I look out the window, and see laundry-steam coming out of metal chutes, and the flat caps of ice on the roofs, and the tinkling light on the trees. I can’t see much past the first two rows of roofs and trees. The sky is still a little pink, even. It’s still really early. This isn’t going to be good. She’s somewhere in a dark room. Maybe she’s bleeding. Maybe it’s the—that—the guy with the funny facial hair. They’re probably all sticky and laying on a pool table. Yes sir, no good. So I run around the house throwing clothes on everywhere, just like I know you’re supposed to at times like these, and I find the funny furry flap-hat and the long johns with holes in them and then the hiking books and everything else. And I take a drink of coffee from the night before and light a cigarette grab my keys and run out the door without locking it. And I run down the steps. Then I forget that the steps are not only wood, and they’re not only concrete at the bottom they are also icy. So I slip. When I’m trying to catch myself, I stab myself in the neck with the hot end of my cigarette. It feels good for a second, just a second, but I screech and in pain, I stab it further in until I know that I’m going to be meeting Ellen with a hole in my neck. You can burn through skin as easily as notebook paper. It may have gone into my flesh. I keep slipping because of the pain. I roll down the outside staircase, legs bending. My kneecap seems to have floated off into the muscle of my lower thigh. The ice hurts because it’s hard. Then I hit the concrete and roll sideways, its been a hard fall but in pieces, like my whole body is just laundry someone tossed down there. At the bottom of the steps there’s a big pad of snow encrusted in ice. I hit it and smash it. A nice soft landing. I can’t feel my elbow or my shoulder or my wrist. What I feel instead is a diffuse pain that moves around all those places, shivery resonances of pain, like striking a thin wire on a table. That’s bearable for the moment. It’ll have to be. I groan and say lots of swears. Night has basically totally dissolved at this point; there is blue, clearly, between every cloud floe. The birds, which have been momentarily terrified by the clatter and shouting have returned to their branches and are staring at me. They look hungry. And I think, fuck, I haven’t even gotten to the squalor yet. Now everything is different. |
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